Storage and display
Objects spend most of their existence in a box on a shelf. Getting the box and the shelf right outweighs almost everything else you can buy.
Updated 14 August 2026
An object on display is being watched. An object in a store is not, and that is where it spends the overwhelming majority of its existence. Storage is therefore where preventive conservation has the most leverage per pound spent, and it is consistently the least glamorous line in any budget.
Enclosures do four jobs
A box, folder or wrapping is not just a container. Done properly it buffers humidity, excludes light entirely, forms a barrier to insects and dust, and provides physical support so the object is not handled directly. Done badly it becomes a source of acid, a moisture trap or a hiding place.
The specification that matters is chemical and physical, not the adjective on the catalogue page. For paper-based enclosures you want to know the pH, whether it is lignin-free, and whether it carries an alkaline reserve. For plastics you want to know the polymer: polyester, polyethylene and polypropylene are the standard safe choices, while PVC is not, because it plasticises and off-gasses. For photographic material there is a specific test, the Photographic Activity Test, and enclosures intended for photographs should state that they pass it. Acid-free boxes and tissue covers the detail, including where buffering is wrong.
Shelving and racking
The failure modes here are mundane and expensive: overloading, sharp edges, unstable stacking, and materials that off-gas.
Powder-coated steel is the default for good reasons, being strong, inert once cured and easy to clean. Wooden shelving in an enclosed store is the standard mistake, for the reasons set out in air quality: it emits organic acids for years. Where wood is already installed and cannot be replaced, sealing it and boxing the objects reduces the exposure considerably.
Beyond material, the questions are practical. Can a shelf be reached without a stool? Is there space to put an object down before turning round? Is anything stored above head height that a person will have to lift down at arm’s length? Most handling damage happens in the two seconds around a bad reach. Shelving and racking covers layout as well as specification.
Display cases
A case is simultaneously a security enclosure, a dust barrier, a humidity buffer and, if built from the wrong material, a pollutant chamber. The four requirements pull against each other, and the main variable that decides how it behaves is the air exchange rate.
A leaky case is a dust barrier and nothing more. A well-sealed case can hold a humidity band for months with a modest quantity of conditioned silica gel, but the same seal that makes that possible also concentrates any pollutant emitted inside it. This is why case material testing is not optional for sealed cases and why the Oddy test exists. Display cases covers construction, glazing and the trade-off between sealing and ventilation.
Handling and movement
Physical force is the agent of deterioration that produces the most immediate, obvious and avoidable losses, and almost all of it happens during handling.
The rules are simple and get broken under time pressure: plan where the object is going before lifting it, carry one object at a time, support the whole object rather than a projecting part, use a tray or a board rather than fingers, and never carry an object through a door you have not already opened. Handling and gloves covers the glove question, which is less settled than it used to be.
For anything leaving the building, the packing case does the work. Shock, vibration and rapid climate change are all worse in transit than anywhere else, and a case that buffers all three is a specialist item rather than a strong box. Transport and crates covers what to specify and what to log during a journey.
Frequently asked questions
- Is acid-free the same as archival?
- No. Archival is a marketing word with no fixed definition. Acid-free describes pH at the time of manufacture and says nothing about lignin content, alkaline reserve or how the board will behave in twenty years. The specification you want is stated in terms of pH, lignin and reserve, not in adjectives.
- Should everything have an alkaline reserve?
- No. A buffered board is right for most paper and plant fibre, and wrong for protein material such as wool and silk, for some dyes, and for certain photographic processes, where an alkaline environment causes its own damage.
- Are cotton gloves the standard?
- Not any more, for most material. Cotton reduces grip, snags on surfaces and picks up soiling that then transfers. Clean dry hands or nitrile gloves are now more common, with the choice depending on the material rather than a blanket rule.
In this section
Acid-free boxes and tissue
Acid-free, lignin-free and buffered are three different claims, and one of them is wrong for protein material.
Display cases
A case is a climate chamber, a pollutant chamber and a security enclosure at once. The specification decides which one dominates.
Shelving and racking
Material choice keeps acids away from the objects. Layout keeps hands away from them.
Handling and gloves
Cotton gloves are no longer the default. What replaced them, and the handling habits that matter more than any glove.
Transport and crates
Shock, vibration and a climate that changes faster than anywhere else. What a real packing case does about each.
Related reading
The Oddy test
Four weeks, three metal coupons, and the only widely accepted answer to whether a material is safe inside a sealed case.
Photographs
The material group most likely to be quietly destroying itself, and the one where cold storage changes the answer most.
Preventive conservation
The whole field in one page: the ten agents of deterioration, which of them you can actually measure, and a defensible order to work through them.
Climate monitoring
Choosing loggers, placing sensors where they tell the truth, keeping them calibrated, and reading a year of data without fooling yourself.
Humidity control
The range to aim for, the equipment that holds it, and the case for treating one showcase instead of one building.
Light and UV
Fading is spent permanently. How to measure it, how to filter it, and how to budget a year of display rather than dimming by feel.